Category Archives: F20-P4 Audio

The Fox and the Crow – P4

For this assignment I wanted to create a narration of a short Aesop fable called “The Fox and the Crow”. I wanted to create a naturalistic ambient background to match the setting that this story would take place. To challenge myself, I decided to use my voice for the whole story. I want to feel more confident using my voice in projects going forward. In terms of equipment, I chose to use my phone for the sake of convenience for this assignment. I also worked with Audition because I am very comfortable using the software.

I had a fun time creating this project. The story was enjoyable to read and easy to create an “environment” for. Finding sound effects wasn’t too difficult for my audio. The one sound effect that I did create were the “footsteps”. I used a crumpled sheet of lined paper and moved my fists against it. In general, I am always picky when searching for a music track. I think that I need to start using other websites to search for royalty free music. Most of what I find on Incompetech makes make laugh because of where I have heard some of the music from (Super cheesy and old Youtube videos).My biggest struggle was finding the perfect balance between the narration and the music. I had to listen to my audio mix with and without headphones to ensure that everything I wanted in the audio was coming through. Most of the exports I created had the music barely audible without headphones. It was mildly annoying, but it had to be done.

By: Liah Craven

The lion and the mouse

Link to story:

Audio: used by Anura

I choose to do this story because my initial plan ended up getting ruined to unfortunate events. My plan was to make not necessarily a story but like a guided mediation. I listen to sleepcasts when I go to bed and when I found out about this project I was planning on making my own. I was going to take the listener on a peaceful journey of walking through a garden, describing the flowers, their own symbolism, and to create a peaceful garden that one could close their eyes and be transported there. I would have added relaxing music like what you would here in a spa and record the birds outside my window so it would be peaceful and include nature. But then I got sick. And trust me I tried to make a satisfying audio and it was terrible. The whole video concept revolved around being soothing and peaceful and my voice was just not cutting it. So I went with my backup plan which is the fable story that was one of my favorites as a kid which was the Lion and the mouse. I’m pretty sure that the reason this story is one of my favorites is the fact that none of the animals died within the story, that the Lion and the Mouse lived happily ever after and benefited from each other while having a lesson to be learned. It was fun fiddling around with the audio and sound effects. There are two sound effects the lions roar and a ripping of cloth which is actually magazines rolled up. This audio is the best out of all of them, no coughing or hoarseness in my voice is present from what I can tell. This project was interesting and it was a little overwhelming to figure out how to use the editing but I got the basics down.

Quinn Final Project

Ridic was the first to come up with the idea to make a skit about newscasters, and we wrote the entire script over the phone. Most of the production work naturally fell on ridic because he had better access to filming equipment and the relative complexity of his scenes. Because of this I did the majority of post production. During filming I created a news intro in blender and made Ridic’s background photo using the same file. Then I shot my scenes with help and equipment from ridic. After Ridic cleaned up the raw audio I put all of the clips together and added the music and effects to make the final product.

In the end, working with a partner taught me a lot about the actual process of filmmaking, how to work with a team, and how to complete a project you don’t have full control over.

Police voice: Joshua Van Horn.
Please standby effect:

P5 Quinn

Most of my favorite movies have plots that sound completely stupid on paper, but have a nearly perfect execution that makes them profound. I figured I would take a shot at something like this when I’m young and no one cares. So I decided to make a surreal (and thankfully exaggerated) video about my experience doing VFX in blender. I started with recording most of the live action stuff first, then doing some screen capture with shadowplay. About a third of the way through I had to re-format my hard drive to avoid a major computer catastrophe. Nearly giving me a heart attack and wasting almost a full day of my time. I spent more time than I expected to on editing because I wanted to emulate the heavily edited montage like style of directors like Guy Ritchie.

Audio p4 Quinn

H.P Lovecraft’s The Festival

In typical Quinn Brown fashion I got in WAY too over my head for this project. At the beginning I knew I wanted to read a passage from an HP Lovecraft story so I chose to read from “The Festival” because of it’s descriptiveness and the fact that it’s one of his more underrated short stories. The story is about a young drifter who returns to the town of his ancient ancestors, but when curiosity gets the better of him he’s ensnared in a dark ritual known only as the festival. The first major problem that I encountered was the fact that the scene described in the paragraph I chose is meant to be almost completely silent. This meant that I had to try my best with simulating the ambiance of the scene by making it sound like a large group of people quietly walking past the listener. I’m not completely happy with the result but I should have known from the start that it would be hard for someone with as little experience as me to mix a scene like this.

The Man and The Gem Logan Habib · P4 Audio Story

I very much enjoyed creating this project and learning the process’s behind audio editing. Getting the hang of Audacity took some time, but after I was able to get down the basic editing tricks, I had a blast. There are still some mistakes in this project that I wish I knew how to fix but, even though there are things I wish I could change, I still take victory in the small learning experiences. Trying to master editing my voice was the hardest challenge. The videos provided this week were a big help though and I was able to learn about noise reduction and noise profiles and apply that knowledge to my project.

I also really enjoyed There were so many cool sounds that I could pick upload to my project. It took me hours to pick what sounds I wanted to use to set the scene. I tried to understand the characters emotions in each part of my story so I could try to pick the best fitting music for each part of the story. Its got more of a dark or eerie tone in terms of music.

Overall, I truly enjoyed the experience with audio editing and maybe I will try to practice it more on the side because I liked it a lot. Once again, I hope the audio comes through ok for everyone listening!! It was a challenge to eliminate all background noise.

Aesop’s Fables

I was looking forward to this assignment for a few reasons. For one, I am in Audio Production currently, so I have access to recording equipment. I’ve been looking for opportunities to use the recording equipment for extra practice, so this assignment was perfect. Additionally, I am a fan of audio books, so I was interested in getting a chance to peak behind the curtain and imagine the workflow of a professional audio narrator.

Originally, I was thinking of picking an excerpt from a book, but I wasn’t able to find anything that was quite short enough. Instead, I chose to browse Aesop’s Fables until I found a suitable story. I chose The House Dog and the Wolf largely because I thought it would be fun to make use of the sound of a howling wolf. I also thought I might try a crack at

While putting together the various files, I was hoping to create a natural nighttime forest ambience. For the most part I was pretty happy with the outcome. One disappointment, was that I was unable to find a good recording of the classic “ribbit” of a frog. It turns out that frogs have a large variety of calls, and many of them are not very recognizable. I was looking for something a little more gentle than the frog calls I found. I did end up finding a fun recording of an owl hoot. I was happy with that one, since it is so recognizable, and indicative of a nighttime forest.

Overall, a fun project!

by Gabriel Olsen-Martinez

Sound Design – “Rubble”

by Jeff Pagano

This is my second version of Rubble.

The assignment was to use sound to create an emotional response, so that’s what I was going for. I don’t want to say too much because I want to let the listener be drawn in and draw their own conclusions. Please tell me in the comments what you think has just happened.

I did the first version for my Timeline Based Tools class, but I wasn’t satisfied with it. One minute was too short and I wanted to tell the story more clearly, so I started with the sounds I liked and started from scratch in Audition.

The idea first started with the song “Help, I’m Alive” by the Canadian band Metric. It’s about anxiety and the line “my heart keeps beating like a hammer” stuck in my head for days.

I started by recording loops of that line and the title on an iPad app called Loopy. I exported them to Audition and added delay. The heartbeat was a recording of a cloth being snapped and the water dripping was from my bathtub.

I put this all together in a multi-track sequence that starts with a gramophone needle clicking and popping. I wanted to convey that this was an old story, one that’s been experienced too many times. I guess my artistic motivation was to tell a story from a perspective we never hear. This is intense perspective and my point is it needs to stop.

The action begins with the character returning to consciousness and listening to what’s happening around him. The repeating thoughts and monotone voice are meant to convey his subscious mind. He’s dazed and deep in shock.

I spent a lot of time tweaking volume levels and used the panning feature extensively. If you listen closely you’ll hear it in the heartbeat and be able to sense the direction of travel of the tank, plane and marching feet. (It’s best to listen to this with headphones.)

After completing this project I have to admit it’s eerie and weird, but it is Halloween today, so I guess this was my way of expressing myself.

Below is the first version of Rubble, which now that I listen to it is a suitable prequel to the Revisited version.

An Unspoken Miracle

This short audio essay is about the power of words that can change the world or, at least, someone’s life. I believe in this power, and believe everyone has it inside. It just needs to be found and spoken.

Working on this project, I spent most time on just feeling life and hearing sounds around me. I had to go into the audio world from my familiar visual world. While walking with a recorder, I really missed my camera. However, it was an amazing experience. I tried to think how I can use the tools I usually use with my photography. How to highlight, tint, dodge, gradient, or dehaze sounds, how to use layers and masks in audio language. I experimented, played, and eventually, learned a lot. I know I have areas I need to learn more about. For example, it is how to clean the voice to perfection. I really struggled with this problem. I also struggled with English translation of my poems and my Russian accent. Nevertheless, it is my first audio project and experience with Audacity, so I am pretty satisfied with what I accomplished today. But tomorrow, I know, I will hate it, so I will continue to improve and develop the better multimedia designer inside of me. I think this is the key to growth, so it’s a good thing.

I used music and sounds from free libraries: and I also recorded sounds of birds from the street. Plus, I used my own voice, texts, and a picture.

By: Lyu Gremli